Solidarity Rock

Solidarity Rock is an artist run organization working to partner musicians, artists and creative people in Cuba, Canada and eyond. Since 2008, we have been working to collect instruments and musical equipment to help our friends in Cuban rock bands find their own way through music.
www.flickr.com
This is a Flickr badge showing public items from the Solidarity Rock group pool. Make your own badge here.
Recent Tweets @@SolidarityRock
Posts tagged "Cuba"

Here’s an interview Drew did a couple months ago with Delirium Fanzine from Santa Clara, Cuba. Enjoy!

Entrevista a Rock Solidario

D: Que es Rock Solidario y a cual es la idea esencial del proyecto?
D: What is Solidarity Rock and what are the essential ideas involved in the project?

The best answer I can give you is that Solidarity Rock is a project that brings people together to make music and strengthen creative communities. We’ve done the first 5 rock tours through Cuba, and a big part of that is meeting people, sharing a moment and taking away new ideas and new expressions. We’ve been very lucky to always meet amazing people in Cuba, and we’ve been able to help the people who are like us, but live in another country and have another culture. Solidarity Rock proves that although there are differences between us, we have a common culture, and we have a space to grow together. It’s what we do that unites us, when the world sees only division.

In each of the cities across Canada that have been a part of Solidarity Rock, we’ve seen the creative communities grow and benefit at the same time as our Cuban friends. It’s been really important to us to be able to be a part of and access this kind of two-way exchange. We’ve learned so much and it’s important that we understand that solidarity rock is not about what we can give, but what we can share.

D: Como y cuando surge específicamente la idea de venir a nuestro país?
D: Exactly how and when did you get the idea to come to our country?

 Solidarity Rock started in 2008, after I had the chance to come to Cuba for the first ever rock tour through the country. In December 2007, I was with the Canadian indie rock band 7and7is as we toured Cuba. It was an amazing experience, and the ability to do something new and see a country in a way no one else ever had was really special.

The 7and7is tour was really kind of crazy. It all came together at the last minute and almost didn’t happen. Sean Foster, the singer of 7and7is had a friend named Luis Ulloa, a trovador from Sancti Spiritus. Luis was living in Canada and worked with Sean’s father, who was also a music lover. Sean came to Cuba and played some songs with Luis, and someone invited him to come back to Cuba with the rest of his band. That’s where the entire project started.

When we were there, we realized that due to reasons outside of their control, musicians, and especially rock musicians, had no access to the basic tools to make their music. Being able to find anything from amplifiers and PA equipment, to smaller things like strings and picks was a challenge. Our city (Edmonton) has a great punk rock music scene, full of creative and generous people. We asked for bands to play a show called “Solidarity Rock” to try to get a couple small things to our friends in Cuba. We sent a package to Sancti Spiritus, and kept on holding solidarity Rock shows. Eventually, I realized we could do another tour and improve on the work we had started, so in January 2010, we came back with SLATES and have been working ever since.

D: Que pretenden lograr con el proyecto?
D: What are your goals with the project?

First, we tried to meet the basic needs that stopped people from being able to play the music they wanted. We brought some instruments down with us when SLATES toured. These pieces stayed in Sancti Spiritus, and helped to create the environment where people could play music, spend time with their friends and grow in their own paths. I think to a certain extent we have done that.

We are focusing on documenting the music that our Cuban friends make and recording it to preserve and share it with the world. We hope to be able to continue the idea of an equal exchange with the people we meet in Cuba and around the world. We’ve got some plans for more tours and more opportunity to share our lives with our friends in Cuba, and I think it’s a very positive thing for everyone involved. We want to say that we’re all punks, rockers, freaquis or whatever you want to call us. And we’re all, at least on some level, the same. We want to show the world that in a country they don’t associate with punk rock, there are punks because it’s a natural development of the artforms and music.

D: En este tiempo que han estado visitando nuestro país, se han integrado diversas bandas para colaborar con el proyecto. Como es la selección a presentarse en cuba?
D: You’ve worked with a lot of different bands in Cuba, how do you choose who to work with?

 From the start, our project has been about friendship and working together to build something for everyone. We work with the bands that we know, and that we’re friends with. Since our partner William is from Sancti Spiritus, we started there. We got to know several of the bands playing there and have been able to help them with the little things we can.

I’m always super impressed by the quality of the music that we hear. Bands like Arrabio, Adictox, Akupuntura and Cancerbero are really not lacking in anything but equipment. There’s a spirit that comes with punk rock specifically, and I think that the bands in Cuba have that spirit as much as anyone anywhere. I have played the recordings for people here and in other countries, and they get really excited, because they didn’t know that this existed or that it was possible in a country like Cuba. All we ever see are faded images of the Buena Vista Social Club, maracas and salsa dancing. I feel like Cuban bands are reinventing rock n roll. Maybe it’s hard to see right now, but I think that in the next few years, we will see the rise of Cuban punk rock as something very serious and well regarded.

D: Donde se han estado presentando en nuestro pais?
D: Where have you done shows in Cuba?

To date, we’ve done shows in Sancti Spiritus, Trinidad, Santa Clara, Cienfuegos, Jatibonico, Moron, Havana, Matanzas and Varadero.

D: Como ha sido la acogida del público y de las otras agrupaciones con quienes han intercambiado?
D: How has your experience been with the Cuban people and groups that host you?

 We’ve never had a bad experience. Sometimes, things are really different than we’re used to. Generally, I’m the only one on our Canadian crew that speaks Spanish, and if the musicians who are touring have been to Cuba, it’s been as tourists in places like Havana and Varadero. So, it’s always a new thing for everyone involved. I find that the people we meet, weather they’re 14 or 80 years old are always friendly and willing to share some time and a conversation, even if the two people don’t speak the same language. When we play shows in a place like Jatibonico, you can feel that it’s special because it doesn’t happen very often. I find that with this project, we’re all sharing the moment and everyone understands that it’s a unique experience and something valuable.

D: crees que se cumplan los objetivos que me mencionabas anteriormente?
D: Do you feel that you are achieving the goals you mentioned earlier?

 Absolutely. I know the bands we play with have progressed a lot in the past four years. We’ve got musicians, artists and supporters across Western Canada, in the US and in Cuba. We’ve been able to use our project as a way to show the world that division between cultures can be overcome, that people are the same everywhere and that music and art are always important to the development of healthy and happy people. I know that when we first spoke of the idea of doing a tour in Cuba, I had no idea what it would bring, and now there is something where there was nothing before. So, in all ways, I think we have achieved our goals and our ideas have been validated.

D: Que ha significado este proyecto para todos los que han estado involucrados en el?
D: What has this project meant for everyone involved with it?

 Well, obviously, that question will get a different answer, depending on who you ask. For me, it has been a course of action which has made me look back on my youth in a totally different way. People should understand that for us, 15 years ago, having a mohawk (which I never did) or dying your hair blue, or piercing your face and wearing a punk rock shirt was hard to do. Our parents, our teachers and the people around us didn’t ever look at that and just think it was cool. It separated us and made us different. Suddenly, our culture in North America has progressed to the point that these things are no longer dangerous, and sometimes, they’re the popular thing to do. For me to work closely with my friends in Cuba provides me more than anything with an opportunity to mentor other people who are experiencing something which is perhaps similar. It gives me the opportunity to calmly look back at the things we did and the things that other people did before us, and offer guidance to the way it worked for us. Things like how to set up shows, how to create things you’re proud of, how to build a community, how to care for our friends… I think these are the real lessons that we are learning fresh for ourselves and at the same time, teaching those that want to learn.

D: Mencionanos que logros han tenido y comentanos sobre los retos que han tenido que enfrentar?
D: Talk about some of the achievements you’ve had and some of the challenges you’ve faced.

 Well, from our side in Canada, we’ve managed to unite a lot of people around the idea that what we do is international. What we do here would matter anywhere, because the basic humanitarian elements of punk rock community are constant. We’re putting together a string of shows over the next couple of months in places I haven’t ever been. So, it’s great that our ideas can get somewhere to be united with people who believe similarly.

At the start, people didn’t understand the possibilities of what we want to do. I think that has been the biggest challenge, to give people the opportunity to see themselves in this sort of loosely defined community. But, we’ve done amazing things. We’ve managed to get support for our tours from our city’s art council and we’ve managed to bring this crazy story into a lot of people’s minds. We’ve given a lot of musicians the ability to see their work in a totally different context and I think that has made them true believers.

We’ve won a couple of small awards, but the most amazing thing happened last January when the AHS in Sancti Spiritus gave us their 25th anniversary medal for the work we had done to bring people together in support of artistic living. That was an amazing experience, because I felt like, for sure, we had communicated our vision with someone who was taking notice. I never, ever thought I would be the recipient of such an award, it’s defiantly a point of pride for me and everyone else involved in Solidarity Rock. We’ve been able to use art to change the way people perceive the world. For me, according to my personal philosophy, this is the first step to building a more just world for everyone in a humanistic way.

D: Tienes alguna anécdota que contarnos?
D: Do you have any funny stories you want to tell us?

There’s a fried Chicken restaurant in Vancouver which is really famous as being the best fried chicken in that city. Joe Staggliano, the drummer in Hangloose had a t shirt from there, and there’s a big chicken on it. He thought it was funny to give the chicken shirt to Pollo, the singer of Adictox. We were in Matanzas, and Joe said something to him and called him Pollo. There was a group of about 5 or 6 girl that looked at him, looked at the chicken on the shirt and started laughing. I don’t know why, but I thought it was hilarious.

D: Que otros destinos tienen como planes futuros?
D: Where else do you plan to bring Solidarity Rock

 I don’t even know. I’ve been doing this Solidarity Rock project for quite a while, and now feel like it’s the right time to try to get some new ideas and voices into the project. I would like to be able to work on more documentary films in the next couple of years, and have a couple of great projects shaping up. I think that the Solidarity Rock project could have a great future, and could bring a lot of joy to a lot of people. I’d like to see Solidarity Rock work in eastern Europe, and maybe somewhere else in Latin America. No matter where I or Solidarity Rock goes, the times I’ve spent in Cuba will always be amazing.

D: Por ultimo algo que quisieras añadir?
D: Is there anything else you’d like to add?

 When I close my eyes, all I see are images and memories from my time in Cuba. For me, each and every night I have spent at El Mejunje in Santa Clara has been amazing. I don’t know why, but that place has a very special feeling, like there’s always something extremely important happening. I think that each of the shows we’ve done at Mejunje have been special in their own right, and I can’t even really begin to describe what the shows with SLATES, Kids on Fire, Hangloose and the Vicious Cycles have been. But El Mejunje is it’s own story, and if I tried to tell it, I would do a poor job, so if you know the place, and if you were there, you probably understand. It’s always amazing to be part of a night that could never be recreated and share that with my friends.

D: Gracias por tu tiempo en nuestras páginas, sean siempre bienvenidos.
D: Thanks for taking the time to do the interview, you’re always welcome on our page!

Yeah, thanks for asking! I love zines, and am really happy that there are some quality zines being made in Cuba. I can’t wait to get back to Santa Clara! See you next time!


Drew McIntosh

Our good friend Blair Cording is a surfer from Australia. He runs a non-profit group which works to help Cuban surfers. Check out this 12 minute doc he made about his journey to Cuba last summer.

I still have no idea how he got 18 surf boards into Cuba.

Royal 70 Surf School
Royal 70 on Facebook

William Garcia - Sancti Spiritus, Cuba

Algunos proyectos no pasan de ser eso, solo proyectos que con mas o menos frutos pasan con el cursar de los años y quedan algunos en el olvido o en la memorias de los que miramos atrás en el tiempo, esto no sucederá nunca con Rock Solidario el proyecto que después de 5 años de trabajo y lucha por el movimiento punk rock en la isla de Cuba esta año sueña con mayores logros. Ya realizamos una primera gira, muy exitosa en el mismo primer mes del año, un amigo de Winnipeg vino con su familia y amigos para compartir con nosotros sus amigos en Sancti Spíritus Cuba su boda cubana, este es otro paso gigantesco de Solidarity Rock- Rock Solidario el de unir en cada ocasión a mas personas positivas en las maneras mas disímiles y sinceras las amistad y la solidaridad. En la piel se manifiesta hoy el proyecto en tatuajes que no serán nunca borrados con el tiempo, esta es una clara respuesta de agradecimiento y respeto al proyecto y a todos los que de una forma u otra han ayudado y lo siguen haciendo cada día. No podrá borrarse con el tiempo los tatuajes que se dejan leer Solidarity Rock, o simplemente RS. Se necesita mucho respeto y mucho convencimiento sobre un proyecto para decidir llevarlo tatuado en la piel para toda una vida y es que ya esta muy dentro de nosotros que hasta puede verse hoy a flor de piel.

—-

Solidarity Rock is tattooed on the soul, body and history of Cuba.

Some projects are nothing more than that. Things people do. Some bear more fruit than others,  and over time will be left as memories of things people did in the past. When we look back on Solidarity Rock, we know that will not be the case. After 5 years of work and struggle for the punk rock movement in the island of Cuba this year, we dream of greater achievements. In January, we did our first tour of the year. In May, some friends from Winnipeg got married in Cuba and we were able to share our homes and lives with them and their families. For us, this is another giant step of Solidarity Rock-Rock Solidario, as we endeavor to unite more people every time, in positive ways with the most amazing and sincere friendship and solidarity.

This idea and project has now been committed to skin, in the form of tattoos, and will not be erased over time. This is a clear response of gratitude and respect to the project and all that have in one way or another helped us to achieve this thing together, and still do every day. The tattoos can not be erased by time. They spell out commitment to the ideas brought here to create a movement. Solidarity Rock, or simply RS. It takes a lot of respect and commitment to decide to tattoo the name of our project to carry it on the skin for a lifetime. It is already deep within us, and today, we bear the marks. We know it is more than just skin deep.


Photos by Sam

Some images we share during Hang Loose Cuban Tour.

Follow the link to flickr for more images

Hey everyone. Here are some photos from the Wunderbar last weekend. As I mentioned, we raised enough to send a sizeable shipment of gear to our friends in Cuba. Thanks for playing, hosting and attending. You’re all beautiful. Here are some B&W’s.

SCRAPBOOKER



KRANG





CATGUT

Forbidden Dimension live at the Palomino room in Calgary in support of Solidarity Rock.

The Vibrating Beds playing in Calgary at the Palomino in support of Solidarity Rock.

Skinny Tim of the Vicious Cycles runs a guitar studio in Vancouver called Anchor Guitar Studio. He’s writing about his experience on the tour in his blog. Here it is.

——————————————-

Cuba is a beautiful country, the biggest island in the Caribbean. Our caravan in Cuba was over 15 people, including two bands, The Vicious Cycles, and Arrabio. Photographer Sandy Phimister and tour liason Drew McIntosh from Edmonton, guitar tech James ‘eye drop’ Gamble from Calgary, three translators from Cuba, and our fearless Cuban tour manager William Garcia. The trip went off with very few problems considering how many people were involved.

We traveled around in an old school bus most likely form the 80’s, the bus was donated from a group in Portland called ‘Pastors for Peace’. The bus was painted by people and artists in Oregon, covered in slogans of peace, and community. Our bus driver used to race motorcycles, I would classify him as a first class driver, he could really get outta a tight spot. Once or twice we went the wrong way down a highway, luckily the mistake was caught before we got off the on ramp!

The streets in Cuban villages look like they are out of a museum, ‘art deco cities’, something all right about organized maze like streets in Cuba. We spent the first three nights in Sancti Spiritus, what would become our temporary home. We all got familiar with the streets, and places to buy ham sandwiches, and streetza (street pizza). The friends and family that we met in Sancti Spiritus took us in with open arms, feeding us, showed us around the city. Their hospitality was second to none, we wanted to bring all the friends home with us.

Rock and roll happened on the third night of the trip, and would continue till the end of our time in Cuba. We rolled up to La Feria, and found the stone pavilion we would be playing in. When we got to the spot there were no lights, no PA, no crowd, no power, in fact there was not much that we did not have. Luckily people are very handy in a tight spot in the Caribbean, within a couple minutes the lights showed up in the back of an old pickup, the stage was set with the PA, and speakers, and the kids started to stream in. That first night was something else, something to remember for a long time.

Click here for the Anchor Guitar Studios Blog

Sandy Phimester is a seriously talented photographer. He has accompanied Solidarity Rock on the last three tours in Cuba, and each time he blows everyone away with his work. Check out his latest series from the Vicious Cycles’ January 2012 Solidarity Rock tour! Unreal.

The Vicious Cycles - You Ain’t So Tuff -
Live cellphone video from Varadero, Cuba

Check out some live action from Vancouver’s Vicious Cycles in Varadero, Cuba.